Check below for:
Audition Signups
Audition Materials
Callbacks
Cast Lists
Auditions for Macbeth will be Dec. 8 and 9 with callbacks Dec. 10. See audition materials below!
CONTENT WARNING: Graphic blood and gore, horror, violence, murder, strong language, and some sexual references. Auditions open to ages 7 and up (there are children in the script), but preference given to older actors. Adults encouraged to audition!
Check back at the end of February for auditions for Mean Girls Jr., limited to ages 7 through 18.
Questions? Email info@orphangirl.org.
Audition Materials & Signups
In professional theatre, actors are expected to have their own monologues and songs memorized and ready to perform. But in community theatres, not everyone knows what to expect at auditions, so the theatre often provides materials for people to rehearse in advance or read when they arrive. Those materials will be posted here when available!
Macbeth
CONTENT WARNING: Graphic blood and gore, horror, violence, murder, strong language, and some sexual references. Auditions open to ages 7 and up (there are children in the script), but preference given to older actors. Adults encouraged to audition!
Choose one of the below monologues to perform. Please memorize it! Also prepare to improvise an onstage death.
If you absolutely cannot make an in-person audition, email info@orphangirl.org.
Video submissions or virtual auditions via Google Meet will be accepted until 11:59 PM December 8.
Monologues
1.
(A person reporting a battle and Macbeth's fighting skill to the king. He is battle worn and in awe of what he witnessed.)
For brave Macbeth—well he deserves that name—
Disdaining Fortune, with his brandished steel,
Which smoked with bloody execution,
Like Valor's minion, carved out his passage
Till he faced the slave;
Which ne'er shook hands, nor bade farewell to him,
Till he unseamed him from the nave to th' chops,
And fixed his head upon our battlements.
2.
(A woman scornfully mocking her husband.)
Was the hope drunk
Wherein you dressed yourself? Hath it slept since?
And wakes it now, to look so green and pale
At what it did so freely? From this time
Such I account thy love. Art thou afeard
To be the same in thine own act and valor
As thou art in desire? Wouldst thou have that
Which thou esteem'st the ornament of life
And live a coward in thine own esteem,
Letting "I dare not" wait upon "I would,"
Like the poor cat i' th' adage?
3.
(A guard at the gate, pretending he is the porter to the gate to hell and seeing those who enter. He is tipsy and not too bright, but imaginative.)
Here's a knocking indeed! If a man were porter of hell gate, he should have old turning the key. (Knock.) Knock, knock, knock! Who's there, i' th' name of Beelzebub? Here's a farmer that hanged himself on th' expectation of plenty. Come in, time-server! Have napkins enow about you; here you'll sweat for 't. (Knock.) Knock, knock! Who's there, in th' other devil's name? Faith, here's an equivocator!
4.
(A man, devastated to learn his king has been murdered. He may or may not have been said murderer.)
Had I but died an hour before this chance,
I had lived a blessèd time; for from this instant
There's nothing serious in mortality.
All is but toys. Renown and grace is dead.
The wine of life is drawn, and the mere lees
Is left this vault to brag of.
5.
(A person of indeterminate age and questionable nature fashion, chanting or singing.)
Fillet of a fenny snake
In the cauldron boil and bake.
Eye of newt and toe of frog,
Wool of bat and tongue of dog,
Adder's fork and blindworm's sting,
Lizard's leg and howlet's wing,
For a charm of powerful trouble,
Like a hell-broth boil and bubble.
6.
(A man calling forth a group of people of indeterminate age and questionable nature fashion. He is demanding answers but underneath is worried about the future, and past sins are haunting him.)
I conjure you by that which you profess
—Howe'er you come to know it—answer me.
Though you untie the winds and let them fight
Against the churches, though the yeasty waves
Confound and swallow navigation up,
Though bladed corn be lodged and trees blown down,
Though castles topple on their warders' heads,
Though palaces and pyramids do slope
Their heads to their foundations, though the treasure
Of nature's germens tumble all together
Even till destruction sicken, answer me
To what I ask you.
7.
(A man, dismayed at what his country has fallen to, patriotic and driven to action.)
Fit to govern?
No, not to live.—O nation miserable,
With an untitled tyrant bloody-sceptered,
When shalt thou see thy wholesome days again,
Since that the truest issue of thy throne
By his own interdiction stands accursed
And does blaspheme his breed?—Thy royal father
Was a most sainted king. The queen that bore thee,
Oft'ner upon her knees than on her feet,
Died every day she lived. Fare thee well.
These evils thou repeat'st upon thyself
Hath banished me from Scotland.—O my breast,
Thy hope ends here!
8.
(A woman, upset her husband has chosen to flee rather than return to her and their children. Chiding and sorrowful, she is a faithful wife, fiercely protective of her children, who has lost her patience with her husband.)
Wisdom? To leave his wife, to leave his babes,
His mansion and his titles in a place
From whence himself does fly? He loves us not;
He wants the natural touch; for the poor wren,
The most diminutive of birds, will fight,
Her young ones in her nest, against the owl.
All is the fear, and nothing is the love,
As little is the wisdom, where the flight
So runs against all reason.
9.
(A person describing a castle and the birds who choose to nest there, uplifting, observant.)
This guest of summer,
The temple-haunting martlet, does approve,
By his loved mansionry, that the heaven's breath
Smells wooingly here. No jutty, frieze,
Buttress, nor coign of vantage, but this bird
Hath made his pendant bed and procreant cradle.
Where they most breed and haunt, I have observed,
The air is delicate.
Callbacks
After auditions, a second audition called “callbacks” will be held only for the few people the director needs to see again. Not getting called back doesn’t necessarily mean you won’t be cast (and getting called back doesn’t necessarily mean you will be cast), so check the cast list as well!
Cast Lists
If you see your name, congratulations! Please email info@orphangirl.org to accept your role. More information will be emailed afterward.
There are so many details that go into casting that not being cast is often NOT a reflection of your talent! Things that influence casting can include age, height, schedule availability, and many other factors. If you aren’t cast and still want to participate, ask us about technical roles that are still available, and come back to audition next time!
Anastasia
Performances (Mother Lode Theatre stage):
Thursday, Oct. 16
Friday, Oct. 17
Saturday, Oct. 18 (two shows in one day)
Sunday, Oct. 19 (two shows in one day)
Anya...Caden Tippett
Dmitry...Sullivan Malouf
Vlad...Mikey O'Brien
Gleb...Pierce Jennings
Young Anastasia...Amelia Henderson
Preteen Anastasia...Preston Tippett
The Dowager Empress (Anastasia’s grandmother)...Sandra Mellott
Tsar Nicholas II (Anastasia's father)...Matt Dunbar
Tsarina Alexandra (Anastasia's mother)...Molly Peck
Lily...Annmarie Downey
Countess Ipolitov...Lexi Guidoni
Count Leopold...Austin Mowat
Preteen Dmitry...Liam Blacklock
Young Vlad...Nolan Ford
Cook...Taylor O'Brien
ANASTASIA'S SIBLINGS:
Olga...Elliot Longtin
Tatiana...Jazzmin Hansen-Thomas
Maria...Willa Hensley
Alexei...Aurora O'Brien
FEATURED ENSEMBLE/UNDERSTUDIES:
Bella Crawford
Brian Poole
Karlee Jane
Luke Davis
Nathan Knopp
Shayna Callarman
ENSEMBLE:
Alice Cusson
Amelia Crase
Asha Henne
Bettie Johnston
Carolyn Lopez
Emily Allred
Evan Boggess
Frances Shahan
Gretchen Franks
Harper Rees
Izzy Johnston
Izzy Lopez
Jackson Edwards
Jeremiah Giono
Kaidence Rembert
Keith Lopez Jr.
Livi Krattiger
Lulu Heppler
Madelyn Ford
Millie Lopez
Nadia Y. Crawford
Nimue Willan
Paislee Rosa
Parker Raybould
Senica Christie
Shea Yelenich
Zeke Otherbull
The Hobbit
Performances (Orphan Girl Theatre stage):
Thursdays, Nov. 6 & 13
Fridays, Nov. 7 & 14
Saturdays, Nov. 8 & 15
Sundays, Nov. 9 & 16
Bilbo...Frances Shahan
Thorin...Izzy Lopez
Smaug...Nikita Offutt
Gollum...Kaylor Smith
Gandalf...Nathan Knopp
DWARVES:
Balin...Antonio Sandoval
Dwalin...Millie Lopez
Fili...Sasha Frey
Kili...Drew Carr
Oin...Orayah Sidle
Gloin...Travis Whittington
Bombur...Dorian O'Brien
Bofur...Marnie Babcock
Bifur...Cleo Fisher
Dori...Blythe Storey
Nori...Henry Roos
Ori...Khrysali Meixner
GOBLINS:
Great Goblin...Karter Lindau
Goblin Attendant...Collette F. Vines
Dork...Jackson Edwards
Doof...Darien Offutt
Alice Cusson
Aspen McCoy
Charlie Lull
Connell Walsh
Jeremiah Giono
Maximus Willan
Molly McGee
Owain Evans-Hanson
Sammy Roos
Sara McGee
TROLLS:
Essie...Dahlia Dent
Tom...July Jarvis
Burt...Brian Poole
HOBBITS:
Keith Lopez Jr.
Swede Quist
Zeke Otherbull
HUMANS:
Bard...Audrey Moore
Maxwell...Max Offutt
Captain...Shayna Callarman
Charlotte Wilson
Emme Fantini
Zander Dent
FOLEY ARTISTS:
Molly Peck
Nikita Offutt
Sullivan Malouf
COMPOSER:
Sullivan Malouf
TECHNICIANS:
Lilly Jangula
Nicholas Nielsen
Scarlett Tesdal